On a trip to the tropical paradise where her fiancée died, a young woman begins to suspect the death was no accident—and the killer’s still on the island—in this twisty thriller from the New York Times bestselling author of Reese's Book Club pick We Were Never Here.

Paradise hides a deadly secret.

When Abby steps foot on Isla Colel, she isn’t sure what—if anything—she’ll find. She only knows that she needs to see the place where her fiancée, Eszter, died to try and make sense of the tragic accident.

The island is nothing like Abby expected: Though it was once a bustling tourist hub, a hurricane has left it a shell of its former self, with only a handful of residents remaining. Even the once-daily ferry to the mainland now runs every week or so.

There, Abby befriends an alluring group of expats, but her sense of unease surges when one of them says he knows the truth about Eszter’s final days. Before he can tell her more, though, he vanishes from the island. Hours turn to days with no sign of him, and the others are chillingly cavalier about his disappearance.

As her quest for the truth unearths dark secrets, shady pasts, and a web of lies, Abby grows more determined than ever to find out what happened to the love of her life. And the deeper she gets in the close-knit expat community, the more she suspects that one of them is Eszter’s killer—and will do anything to keep the truth buried. But will Abby discover who it is before she becomes the island’s next victim?

*Named a Best Book of 2024 by FT * Nominated for the Women's prize for nonfiction*

From the Edgar Award–winning author of The Haunting of Alma Fielding, the tale of two journalists competing to solve the notorious Christie murders in postwar London

In March 1953, London police discovered the bodies of three young women hidden in a wall at 10 Rillington Place, a dingy rowhouse in Notting Hill. On searching the building, they found another body beneath the floorboards, then an array of human bones in the garden. They launched a nationwide manhunt for the tenant of the ground-floor apartment, a softly spoken former policeman named Reg Christie. But they had already investigated a double murder at 10 Rillington Place three years before, and the killer was hanged. Did they get the wrong man?

The story was an instant sensation. The star reporter Harry Procter chased after the scoop on Christie. The eminent crime writer Fryn Tennyson Jesse begged her editor to let her cover the case. To Harry and Fryn, Christie seemed a new kind of murderer: he was vacant, impersonal, a creature of a brutish postwar world. Christie liked to watch women, they discovered, and he liked to kill them. They realized that he might also have engineered a terrible miscarriage of justice.

In this riveting true story, Kate Summerscale mines the archives to uncover the lives of Christie’s victims, the tabloid frenzy that their deaths inspired, and the truth about what happened inside the house. What she finds sheds fascinating light on the origins of our fixation with true crime—and suggests a new solution to one of the most notorious cases of the century.

In the follow-up to The Silver Bone, a Publishers Weekly Best Book of 2024, Samson Kolechko must rescue his kidnapped fiancée while investigating the illegal sale of meat in lawless 1920s Kyiv— based on a real-life case.

Samson Kolechko and his colleague have been dispatched to investigate the illegal sale of meat. How selling cuts of one’s own livestock qualifies as a crime eludes the young investigator, but an order is an order, and, at the insistence of the secret police officer assigned to “reinforce” the Lybid police station, Samson vows to do his very best.

But just as Samson is beginning to dig into the very meat of this case, his live-in fiancée Nadezhda is abducted by striking railway workers who object to the census she's carrying out. Complicating matters, the police station has been infiltrated by a mysterious thief, a deadly tram accident—which may have been premeditated—disrupts the city, and, to top it all, the culprit from Samson’s “silver bone” investigation may have resurfaced.

Against this backdrop, it’s no wonder the “meat case” takes a backseat. Yet, despite the rising danger, the detective cannot let himself be distracted from his dogged pursuit of the seemingly mundane matter of the meat sellers, for ultimately his fate, and Nadezhda's too, rests on it.

In the glow of their children’s exciting first year of college at a small private school in Northern California, five families plan on a night of dinner and cocktails for the opening festivities of Parents Weekend. As the parents stay out way past their bedtimes, their kids—five residents of Campisi Hall—never show up at dinner.

At first, everyone thinks that they’re just being college students, irresponsibly forgetting about the gathering or skipping out to go to a party. But as the hours click by and another night falls with not so much as a text from the students, panic ensues. Soon, the campus police call in reinforcements. Search parties are formed. Reporters swarm the small enclave. Rumors swirl and questions arise.

Libby, Blane, Mark, Felix, and Stella—The Five, as the podcasters, bloggers, and TikTok sleuths call them—come from five very different families. What led them out on that fateful night? Could it be the sins of their mothers and fathers come to cause them peril or a threat to the friend group from within?

Told through multiple points of view in past and present—and marking the return of FBI Special Agent Sarah Keller from Every Last Fear and The Night Shift—Parents Weekend explores the weight of expectation, family dysfunction, and those exhilarating first days we all remember in the dorms when our friends become our family.

A sweeping look back at the protest movements that changed America from activist and NBA legend Kareem Abdul-Jabbar, with personal and historical insights into lessons they can teach us today

For many, it can feel like change takes too long, and it might seem that we have not moved very far. But political activist Kareem Abdul-Jabbar believes that public protest is a vital part of affecting change, even if that change doesn’t come “right now.”

In We All Want to Change the World, he examines the activism of people of all ages, ethnicities, and socio-economic backgrounds that helped change America, documenting events from the Free Speech Movement through the movement for civil rights, the fight for women’s and LGBTQ rights, and, of course, the protests against the Vietnam War. At a time in our history when we are witnessing protests across campuses, within the labor movement, and following the killing of George Floyd, Abdul-Jabbar reminds us that protests are a lifeblood of our history:

“Protest movements, even peaceful ones, are never popular at first. . . . But there is a reason protest gatherings have been so frequent throughout history: They are effective. The United States exists because of them.”

Part history lesson and part personal reminiscences of his own activism, We All Want to Change the World will resonate with anyone who recognizes the need for social change and is willing to do the work to make it happen.

Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders.

Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England.

Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison.

To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring.

The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book.

Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect.

Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

His cello made him famous. His father made him a target.

Curtis Wilson is a cello prodigy, growing up in the Southeast D.C. projects with a drug dealer for a father. But through determination and talent, and the loving support of his father’s girlfriend, Larissa, Curtis claws his way out of his challenging circumstances and rises to unimagined heights in the classical music world—even soloing with the New York Philharmonic.

And then, suddenly, his life disintegrates. His father, Zippy, turns state’s evidence, implicating his old bosses. Now the family—Curtis included—must enter the witness protection program if they want to survive. This means Curtis must give up the very thing he loves the most: sharing his extraordinary music with the world. When Zippy’s bosses prove too elusive for law enforcement, Curtis, Zippy, and Larissa realize that their only chance of survival is to take on the criminals themselves. They must create new identities and draw on their unique talents, including Curtis’s musical ability, to go after the people who want them dead. But will it be enough to save Curtis and his family?

A propulsive and moving story about sacrifice, loyalty, and the indomitable human spirit, The Dark Maestro is Brendan Slocumb at the height of his powers.

A brilliant and bloody examination of the axe's foundational role in human history, from prehistoric violence, to war and executions, to newspaper headlines and popular culture.

For as long as the axe has been in our hands, we have used it to kill.

Much like the wheel, the boat, and the telephone, the axe is a transformative piece of technology—one that has been with us since prehistory. And just as early humans used the axe to chop down trees, hunt for food, and whittle tools, they also used it to murder. Over time, this particular use has endured: as the axe evolved over centuries to fit the needs of new agricultural, architectural, and social development, so have our lethal uses for it.

Whack Job is the story of the axe, first as a convenient danger and then an anachronism, as told through the murders it has been employed in throughout history: from the first axe murder nearly half a million years ago, to the brutal harnessing of the axe in warfare, to its use in King Henry VIII's favorite method of execution, to Lizzie Borden and the birth of modern pop culture. Whack Job sheds brilliant light on this familiar implement, this most human of weapons. This is a critical examination of violence, an exploration of how technology shapes human conflict, the cruel and sacred rituals of execution and battle, and the ways humanity fits even the most savage impulses into narratives of the past and present.

Harlem Shuffle meets The Godfather in this fierce and dazzling crime family saga presented by award-winning actor and producer Blair Underwood and written by filmmaker Joe McClean, set in the Black Bottom neighborhood of Detroit in the dark and dangerous days of the 1930s.

In 1908 Alabama, precocious young Benjamin Carter brings deadly consequences down upon his father's head when he dares to use a white drinking fountain instead of the "colored" one.

With his fierce and protective older brother Jasper, Ben escapes Alabama, joining the Great Migration to Black Bottom, Detroit's flourishing Black neighborhood. There, the brothers rise from the ashes to become kingpins of this new community, owning businesses, playing politics, and diving into Detroit's violent criminal underbelly.\

Through their wit and grit, Ben and Jasper establish the Carter dynasty, securing a prosperous future for their families. But heavy are the heads that wear the crowns. Seeing their children come of age, young men and women fueled by ambitions of their own, the brothers clash over which direction to steer the Carter empire.

With the scent of brotherly discontent, competing Detroit power players will use every advantage--and weakness--to bring the family to its knees.

In Sins of Survivors, Hollywood legend Blair Underwood and Joe McClean have created a scorching crime saga featuring a dynamic cast of characters--a thrilling and cinematic story about family and what it means for a Black community to not just survive, but thrive.

A wrenching love story and literary debut following two strangers whose paths converge in a series of seemingly chance encounters and shared histories, perfect for readers of Jesmyn Ward, NoViolet Bulawayo, and Yaa Gyasi.

On a bus moving across rural landscapes from town to town, two young people are escaping with nothing to hold except hope. She has committed a horrifying act for which there will certainly be retribution. He is staggering from a devastating discovery. They will find each other and attempt to move forward, even as their grief leaves wounds on their new beginnings.

Seamlessly transitioning between past lives and present realities, The Ones We Loved tenderly weaves both myth and memory into an account of two people desperate for connection...