Eight years ago, he fell in love with a stranger he couldn’t have—today, she’s back in his life and the sparks between them threaten to set her career on fire.

Pearl Harris has learned the hard way to be careful in work and in love. She has the chance to make lasting change at OurCode—a nonprofit aimed at inspiring high schoolers to code—but a recent scandal puts its reputation at risk. Further complicating things, Pearl didn't expect the one man she never stopped thinking about to join as the newest member of her board of directors.
 
Cord Matthews fell for Pearl when they met in an elevator eight years ago. She’s just his type: smart, capable, and makes him laugh, but when she broke his heart, he decided love wasn't for him. When they reconnect after years with no contact, Cord is tempted to consider breaking his ban on serious relationships. But going public with a romance between them might derail Pearl’s career and the progress she’s made at OurCode.
 
While Pearl and Cord are both hesitant to trust their feelings and take a risk, it soon becomes impossible to keep ignoring the electricity between them. Cord is a skilled programmer, but a workplace romance might spell disaster for both of them--and love isn’t easily debugged.

This gloriously transportive reimagining of The Nutcracker tells the tale of twin sisters, divided by envy and magic, set against each another one fateful Christmas Eve.

Light and dark—this is the cursed birthright placed upon Clara and Natasha by their godfather, Drosselmeyer, whose power and greed hold an entire city in his sway. Charming Clara, the favorite, grows into a life of beauty and ease, while Natasha is relegated to her sister’s shadow, ignored and unloved.
 
But Natasha seizes the opportunity for revenge one Christmas Eve, when Drosselmeyer arrives at the family gala with the Nutcracker, an enchanted gift that offers entry into an alternate world: the Kingdom of Sweets.
 
Following Clara into the glittering land of snow and sugar, Natasha discovers a source of power far greater than Drosselmeyer: the Sugar Plum Fairy, who offers her own wondrous gifts . . . and chilling bargains. But as Natasha uncovers the truth about a dark destiny crafted long before her birth, she must reckon with forces both earthly and magical, human and diabolical, and decide to which world she truly belongs.

By the New York Times bestselling author of the award-winning AFTERPARTIES comes a collection like none other: sharply funny, emotionally expansive essays and linked short fiction exploring family, queer desire, pop culture, and race 

The late Anthony Veasna So’s debut story collection, Afterparties, was a landmark publication, hailed as a “bittersweet triumph for a fresh voice silenced too soon” (Fresh Air). And he was equally known for his comic, soulful essays, published in n+1, The New Yorker, and The Millions.

Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the lives of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth.

Following “one of the most exciting contributions to Asian American literature in recent years” (Vulture), Songs on Endless Repeat is an astonishing final expression by a writer of “extraordinary achievement and immense promise” (The New Yorker).

An NPR 2023 "Books We Love" Pick

A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator.

Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist.

Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury.

Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre.

From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form.

Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records.

A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.

A wry, tender novel about a Peruvian immigrant mother and a millennial daughter who have one final chance to find common ground

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Now newfound doubts and old memories come flooding in, complicating each woman’s efforts to carve out a good life for herself—and to support the other in the same. Paula thinks Flores should spend her evenings meeting a future husband, not crunching numbers for a floundering aquarium startup. Flores wishes Paula would ask for a raise at her DollaBills retail job, or at least find a best friend who isn’t a married man.

When Flores and Paula learn they will be forced to move, they must finally confront their complicated past—and decide whether they share the same dreams for the future. Spirited and warm-hearted, Melissa Rivero’s new novel showcases the complexities of the mother-daughter bond with fresh insight and empathy.

The award-winning journalist and staff writer for The Atlantic follows up his New York Times bestseller American Carnage with this timely, rigorously reported, and deeply personal examination of the divisions that threaten to destroy the American evangelical movement.

Evangelical Christians are perhaps the most polarizing—and least understood—people living in America today. In his seminal new book, The Kingdom, the Power, and the Glory, journalist Tim Alberta, himself a practicing Christian and the son of an evangelical pastor, paints an expansive and profoundly troubling portrait of the American evangelical movement. Through the eyes of televangelists and small-town preachers, celebrity revivalists and everyday churchgoers, Alberta tells the story of a faith cheapened by ephemeral fear, a promise corrupted by partisan subterfuge, and a reputation stained by perpetual scandal.

For millions of conservative Christians, America is their kingdom—a land set apart, a nation uniquely blessed, a people in special covenant with God. This love of country, however, has given way to right-wing nationalist fervor, a reckless blood-and-soil idolatry that trivializes the kingdom of Jesus Christ. Alberta retraces the arc of the modern evangelical movement, placing political and cultural inflection points in the context of church teachings and traditions, explaining how Donald Trump's presidency and the COVID-19 pandemic only accelerated historical trends that long pointed toward disaster. Reporting from half-empty sanctuaries and standing-room-only convention halls across the country, the author documents a growing fracture inside American Christianity and journeys with readers through this strange new environment in which loving your enemies is "woke" and owning the libs is the answer to WWJD.

Accessing the highest echelons of the American evangelical movement, Alberta investigates the ways in which conservative Christians have pursued, exercised, and often abused power in the name of securing this earthly kingdom. He highlights the battles evangelicals are fighting—and the weapons of their warfare—to demonstrate the disconnect from scripture: Contra the dictates of the New Testament, today's believers are struggling mightily against flesh and blood, eyes fixed on the here and now, desperate for a power that is frivolous and fleeting. Lingering at the intersection of real cultural displacement and perceived religious persecution, Alberta portrays a rapidly secularizing America that has come to distrust the evangelical church, and weaves together present-day narratives of individual pastors and their churches as they confront the twin challenges of lost status and diminished standing.

Sifting through the wreckage—pastors broken, congregations battered, believers losing their religion because of sex scandals and political schemes—Alberta asks: If the American evangelical movement has ceased to glorify God, what is its purpose?

"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind."

There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen.

Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much more.

From the award-winning author of The Crimson Petal and the White and Under the Skin, this idiosyncratic and philosophical book reflects Michel Faber's lifelong obsession with music of all kinds. Listen will change your relationship with the heard world.

“Obsessed!” —Chloë Sevigny
“I am literally obsessed.” —Busy Philipps

A hypnotic, sexy, and incisive debut adult novel following one woman’s affair with her daughter’s best friend that tests the limits of love and ambition from #1 New York Times bestselling author of Red Riding Hood.

It’s opening night, but Alice’s performance in the local Bay Area production of The Winter’s Tale is far from glamorous. She doesn’t have dreams of stardom, but the basement theater in a wildfire-choked town isn’t exactly what she envisioned for her career back home in Los Angeles. To make matters worse, her best friend Sadie is not even coming.

Pragmatic, serious Sadie and flighty, creative Alice have been best friends since high school—really one another’s only friends—but now that they are through with college (which they attended together) and living on opposite ends of California, Alice would at least expect her friend’s support. Sadie, determined not to cancel her plans with her boyfriend, ends up enlisting the help of her mother, Celine.

A professor of women’s and gender studies at UC Berkeley, Celine’s landmark treatise on sex and identity made her notorious, but she’s struggling to write her new book in a post-second-wave feminist world. So, when Sadie begs her to attend Alice’s play, she relents, if only to escape writer’s block. But in a turn of perplexing events, Celine becomes entranced by Alice’s performance and realizes that her daughter’s once lanky, slightly annoying best friend is now an irresistible young woman.

Set over the course of decades—from Alice and Sadie’s early friendship days and Celine’s decision to leave her husband to the radical movements of 1990s Berkeley and navigating contemporary Hollywood—Alice and Celine’s affair will test the limits of their love for Sadie and their own beliefs of power, agency, and feminism. Witty and relatable, sexy and surprising, Sarah Blakley-Cartwright’s debut adult novel is a mesmerizing portrait of the inner lives of three very different women.

'I am truly dazzled' TRACY CHEVALIER

'A rich tapestry of African mythology and magic' CHERIE JONES

'Bursting with magic, bright and visceral' JENNIFER SAINT

'A feast of shimmering, beautiful prose' CHIKA UNIGWE

Soon you will become the thing all other beasts fear.

Treasure and her mother lost everything when Treasure's daddy died. Haggling for scraps in the market, Treasure meets a spirit who promises to bring her father back - but she has to do something for him first.

Ozoemena has an itch in the middle of her back that can't be scratched. An itch that speaks to her patrilineal destiny, to defend her people by becoming a leopard. Her father impressed upon her what an honour this was before he vanished, but it's one she couldn't want less.

But as the two girls reckon with their burgeoning wildness and the legacy of their fathers' decisions, Ozoemena's fellow students at her new boarding school start to vanish. Treasure and Ozoemena will face terrible choices as each must ask herself: in a world that always says 'no' to women, what must two young girls sacrifice to get what is theirs?

'Erudite, original and beautifully written' CHRISTIE WATSON

'Unexpected, explosive and deeply satisfying' MELISSA FU

'A masterful storm' DOREEN CUNNINGHAM

'Uncanny and affecting in equal measure' T. L. HUCHU

'One hell of a book' MEG CLOTHIER

"A dark and riveting page-turner with an intelligent twist." —Nadine Matheson, author of The Jigsaw Man, on Someone Had to Do It

ON ASHER LANE, SOME SECRETS ARE WORTH KILLING FOR…

Simone’s mother was murdered when she was thirteen. When her father was convicted, everything changed. Overnight, Simone went from living in a wealthy white neighborhood to scraping by.

Ten years later, Simone has given up on her dreams and lives a quiet life, writing book reviews and getting serious with her boyfriend. But with a true crime documentarian hounding her for a scoop and a surprise encounter with her childhood next-door neighbor, Hunter, the past seems set on haunting her. And after Hunter reveals that his father and her mother had a years-long affair, Simone is determined to find out who really killed her mother.

Simone is convinced that all evidence points to Hunter’s father, a renowned judge who had everything to lose if his affair—and his nascent love child—came to light. Playing the game from all sides, Simone enlists Hunter’s help in her investigation into his family—whether he realizes it or not. But is she so desperate for closure that she'll risk imploding her carefully rebuilt life?
 

Everyone's favorite lethal SecUnit is back in the next installment in Martha Wells's bestselling and award-winning Murderbot Diaries series.

Am I making it worse? I think I'm making it worse.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize.

But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast!

Yeah, this plan is... not going to work.
 

A slender novel of epic power, Orbital deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live. 

Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

Longlisted for the Andrew Carnegie Medals of Excellence

This witty personal and cultural history of travel from the perspective of a Third World-raised woman of color, Airplane Mode, asks: what does it mean to be a joyous traveler when we live in the ruins of colonialism, capitalism and climate change?

The conditions of travel have long been dictated by the color of passports and the color of skin.

The color of one’s skin and passport have long dictated the conditions of travel. For Shahnaz Habib, travel and travel writing have always been complicated pleasures. Habib threads the history of travel with her personal story as a child on family vacations in India, an adult curious about the world, and an immigrant for whom roundtrips are an annual fact of life. Tracing the power dynamics that underlie tourism, this insightful debut parses who gets to travel, and who gets to write about the experience.

Threaded through the book are inviting and playful analyses of obvious and not-so-obvious travel artifacts: passports, carousels, bougainvilleas, guidebooks, trains, the idea of wanderlust itself. Together, they tell a subversive history of travel as a Euro-American mode of consumerism—but as any traveler knows, travel is more than that. As an immigrant whose loved ones live across continents, Habib takes a deeply curious and joyful look at a troubled and beloved activity.

A riveting account of the only mutiny in the history of the United States Navy—a little-known event that cost three innocent young men their lives—part murder mystery, part courtroom drama, and as propulsive and dramatic as the bestselling novels of Patrick O’Brian.

On December 16, 1842, the US brig-of-war Somers dropped anchor in Brooklyn Harbor at the end of a cruise intended to teach a group of adolescents the rudiments of naval life. But this seemingly harmless exercise ended in catastrophe. Commander Alexander Slidell Mackenzie came ashore saying he had narrowly prevented a mutiny that would have left him and his officers dead. Some of the thwarted mutineers were being held under guard, but three had been hanged: Boatswain’s Mate Samuel Cromwell, Seaman Elisha Small, and Acting Midshipman Philip Spencer, whose father was the secretary of war, John Spencer.

Eighteen-year-old Philip Spencer, according to Mackenzie, had been the ringleader who encouraged the crew to seize the ship and become pirates, raping and pillaging their way across the old Spanish Main. And while the young man might have been a rebel fascinated by pirates, it soon became clear the order that condemned the three men had no legal basis. And worse, that perhaps a mutiny had never really occurred, and that the ship might instead have been seized by a creeping hysteria that ended in the sacrifice of three innocents.

Months of accusations and counteraccusations were followed by a highly public court martial which put Mackenzie on trial for his life, and a storm of anti-Navy sentiment drew the attention of the leading writers of the day (Washington Irving thought Mackenzie a hero; James Fenimore Cooper damned him with a ferocity that still stings). But some good did come out of it: public disgust with Mackenzie’s training cruise gave birth to Annapolis, the place that within a century, would produce the greatest navy the world had ever known.

Vividly told and filled with tense action based on court martial transcripts, Snow’s masterly account of this all-but-forgotten episode is naval history at its finest.

In this chilling thriller from New York Times bestselling author Nalini Singh, a remote estate in New Zealand’s Southern Alps hosts a reunion no one will ever forget.

Seven friends.
One last weekend.
A mansion half in ruins.
No room for lies.
Someone is going to confess.
Because there should have been eight. . . .

They met when they were teenagers. Now they’re adults, and time has been kind to some and unkind to others—none more so than to Bea, the one they lost nine long years ago.
 
They’ve gathered to reminisce at Bea’s family’s estate, a once-glorious mansion straight out of a gothic novel. Best friends, old flames, secret enemies, and new lovers are all under one roof. But when the weather turns and they’re snowed in at the edge of eternity, there’s nowhere left to hide from their shared history.
 
As the walls close in, the pretense of normality gives way to long-buried grief, bitterness, and rage. Underneath it all, there’s the nagging feeling that Bea’s shocking death wasn’t what it was claimed to be. And before the weekend is through, the truth will be unleashed—no matter the cost. . . .

One surprise inheritance, two best friends (now bitter exes), and three months to prove he loves her, forever and always, in this swoony second-chance romance for fans of Alexandria Bellefleur and Ashley Herring Blake.
 
Hannah Rosenstein should be happy: after a lonely childhood of traipsing all over the world, she finally has a home as the co-owner of destination inn Carrigan’s All Year. But her thoughts keep coming back to Levi "Blue" Matthews: her first love, worst heartbreak, and now, thanks to her great-aunt’s meddling will, absentee business partner. 

When Levi left Carrigan's, he had good intentions. As the queer son of the inn's cook and groundskeeper, he never quite fit in their small town and desperately wanted to prove himself. Now that he’s a celebrity chef, he's ready to come home and make amends. Only his return goes nothing like he planned: his family's angry with him, his best friend is dating his nemesis, and Hannah just wants him to leave. Again.

Levi sees his chance when a VIP bride agrees to book Carrigan’s—if he’s the chef. He'll happily cook for the wedding, and in exchange, Hannah will give him five dates to win her back. Only Hannah doesn’t trust this new Levi, and Levi’s coming to realize Hannah’s grown too. But if they find the courage to learn from the past . . . they just might discover the love of your life is worth waiting for.

Longlisted for the 2023 Booker Prize, this poetic and often funny debut─"a motherhood story unlike any other" (Booklist)─by an author with autism is written from the point of view of an autistic woman as she and her headstrong adolescent daughter are befriended by a glamorous, charismatic couple with dark ulterior motives.

I lived for and loved a bird-heart that summer; I only knew it afterwards.
 
Sunday Forrester lives with her sixteen-year-old daughter, Dolly, in the house she grew up in. She does things more carefully than most people. On quiet days, she must eat only white foods. Her etiquette handbook guides her through confusing social situations, and to escape, she turns to her treasury of Sicilian folklore. The one thing very much out of her control is clever headstrong Dolly, now on the cusp of leaving home.

Into this carefully ordered world step Vita and Rollo, a couple who move in next door, disarm Sunday with their glamor and charm, and proceed to deliciously break just about every rule in Sunday’s book. Soon they are in and out of each others’ homes, and Sunday feels loved and accepted like never before. But beneath Vita and Rollo’s polish lies something else, something darker. For Sunday has precisely what Vita has always wanted for herself: a daughter of her own.

An astute and poignant psychological portrait of a woman coming to terms with what love means, and why discovering our own unique gifts can save us.

The year is 2050. Ava and her girlfriend live in what's left of Brooklyn, and though they love each other, it's hard to find happiness while the effects of climate change rapidly eclipse their world. Soon, it won't be safe outside at all. The only people guaranteed survival are the ones whose applications are accepted to The Inside Project, a series of weather-safe, city-sized structures around the world.

Jacqueline Millender is a reclusive billionaire/women’s rights advocate, and thanks to a generous donation, she’s just become the director of the Inside being built on the bones of Manhattan. Her ideas are unorthodox, yet alluring—she's built a whole brand around rethinking the very concept of empowerment.

Shelby, a business major from a working-class family, is drawn to Jacqueline’s promises of power and impact. When she lands her dream job as Jacqueline’s personal assistant, she's instantly swept up into the glamourous world of corporatized feminism. Also drawn into Jacqueline's orbit is Olympia, who is finishing up medical school when Jacqueline recruits her to run the health department Inside. The more Olympia learns about the project, though, the more she realizes there's something much larger at play.

When Ava is accepted to live Inside and her girlfriend isn’t, she’s forced to go alone. But her heartbreak is quickly replaced with a feeling of belonging: Inside seems like it’s the safe space she’s been searching for... most of the time. Other times she can’t shake the feeling that something is deeply off. As she, Olympia, and Shelby start to notice the cracks in Jacqueline's system, Jacqueline tightens her grip, becoming increasingly unhinged and dangerous in what she is willing to do—and who she is willing to sacrifice—to keep her dream alive.

At once a mesmerizing story of queer love, betrayal, and chosen family, and an unflinching indictment of white, corporate feminism, Gabrielle Korn's Yours for the Taking holds a mirror to our own world, in all its beauty and horror.

The unique social, cultural, and political life of the incomparable LeBron James
 
LeBron James is the hero in two very American tales: one, a success story the nation loves; the other, the latest installment in an ongoing chronicle of American antiblackness. He’s the poor boy from a “broken” home who makes good. He’s also the poor Black boy from a “broken” home who makes good, then at the apex of his career finds “n*****” spray-painted across the gate to his home.
 
James has lived in the public eye ever since high school when his extraordinary athletic skills subjected his every action, every statement, every fashion choice to intense public scrutiny that tells us less about James himself and more about a nation still wrestling with many social inequities. He uses his celebrity not to transcend Blackness, but to give it a place of cultural prominence, and the backlash he receives exposes the frictions between Blackness and a country not fully comfortable with its presence. As a result, James’s story is a revelatory narrative of how much Blackness is loved, hated, misunderstood, and just plain cool in an America that has changed and yet not changed at all.

This brand-new sequel to Nnedi Okorafor’s Shadow Speaker contains the powerful prose and compelling stories that have made Nnedi Okorafor a star of the literary science fiction and fantasy space and put her at the forefront of Africanfuturist fiction

"An epic collision of new tech and elemental magic—suspenseful, immersive, and chillingly relevant. Another stunning feat of imagination from Nnedi Okorafor." —Leigh Bardugo, #1 New York Times bestselling author of Ninth House

Niger, West Africa, 2077
 
Welcome back. This second volume is a breathtaking story that sweeps across the sands of the Sahara, flies up to the peaks of the Aïr Mountains, cartwheels into a wild megacity—you get the idea.
 
I am the Desert Magician; I bring water where there is none.
 
This book begins with Dikéogu Obidimkpa slowly losing his mind. Yes, that boy who can bring rain just by thinking about it is having some…issues. Years ago, Dikéogu went on an epic journey to save Earth with the shadow speaker girl, Ejii Ubaid, who became his best friend. When it was all over, they went their separate ways, but now he’s learned their quest never really ended at all.
 
So Dikéogu, more powerful than ever, reunites with Ejii. He records this story as an audiofile, hoping it will help him keep his sanity or at least give him something to leave behind. Smart kid, but it won’t work—or will it?
 
I can tell you this: it won’t be like before. Our rainmaker and shadow speaker have changed. And after this, nothing will ever be the same again.
 
As they say, ‘Onye amaro ebe nmili si bido mabaya ama ama onye nyelu ya akwa oji welu ficha aru.’
 
Or, ‘If you do not remember where the rain started to beat you, you will not remember who gave you the towel with which to dry your body.’