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When a teenager vanishes from her Adirondack summer camp, two worlds collide

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

This is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian.

In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.

Hip-hop is history, and also his history.

From the beloved author of We All Want Impossible Things, a moving, hilarious story of a family summer vacation full of secrets, lunch, and learning to let go.

For the past two decades, Rocky has looked forward to her family's yearly escape to Cape Cod. Their humble beach-town rental has been the site of sweet memories, sunny days, great meals, and messes of all kinds: emotional, marital, and--thanks to the cottage's ancient plumbing--septic too.

This year's vacation, with Rocky sandwiched between her half-grown kids and fully aging parents, promises to be just as delightful as summers past--except, perhaps, for Rocky's hormonal bouts of rage and melancholy. (Hello, menopause!) Her body is changing--her life is, too. And then a chain of events sends Rocky into the past, reliving both the tenderness and sorrow of a handful of long-ago summers.

It's one precious week: everything is in balance; everything is in flux. And when Rocky comes face to face with her family's history and future, she is forced to accept that she can no longer hide her secrets from the people she loves.

As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet's always known she'd have to make it on her own. So she enrolls at her local junior college, even though she can't imagine how she'll ever make a living. She's still figuring things out and never planned to have an affair with her English professor--and while the affair is brief, it isn't brief enough to keep her from getting pregnant. Despite everyone's advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger.

Now, at twenty, Margo is alone with an infant, unemployed, and on the verge of eviction. She needs a cash infusion--fast. When her estranged father, Jinx, shows up on her doorstep and asks to move in with her, she agrees in exchange for help with childcare. Then Margo begins to form a plan: she'll start an OnlyFans as an experiment, and soon finds herself adapting some of Jinx's advice from the world of wrestling. Like how to craft a compelling character and make your audience fall in love with you. Before she knows it, she's turned it into a runaway success. Could this be the answer to all of Margo's problems, or does internet fame come with too high a price?

Blisteringly funny and filled with sharp insight, Margo's Got Money Troubles is a tender tale starring an endearing young heroine who's struggling to wrest money and power from a world that has little interest in giving it to her. It's a playful and honest examination of the art of storytelling and controlling your own narrative, and an empowering portrait of coming into your own, both online and off.

The son of Ethiopian immigrants seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage.

With Hannah and their two-year-old son back in Paris, Mamush sets out on an unexpected journey across America in search of answers to questions he'd been told never to ask. As he does so, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around Samuel’s life and death, but his own troubled memories, and the years spent masking them. Breathtaking, commanding, unforgettable work from one of America’s most prodigiously gifted novelists.

A divorcee embarks on her “year of yes” and crosses paths with a shy but sensitive birdwatcher who changes her life in this charming rom-com that is perfect for fans of Christina Lauren and Ali Hazelwood.

Newly-divorced, almost-empty-nester Celeste is finally seeking adventure and putting herself first, cliches be damned. So when a friend asks Celeste to “partner” with his buddy John for an event, Celeste throws herself into the role of his temporary girlfriend. But quiet cinnamon roll John isn’t looking for love, just birds—he needs a partner for Tucson’s biggest bird-watching contest if he’s ever going to launch his own guiding business. By the time they untangle their crossed signals, they’ve become teammates…and thanks to his meddling friends, a fake couple.

Celeste can’t tell a sparrow from a swallow, but John is a great teacher, and the hours they spend hiking in the Arizona wilderness feed Celeste’s hunger for new adventures while giving John a chance to practice his dream job. As the two spend more time together, they end up watching more than just the birds, and their chemistry becomes undeniable. Since they’re both committed to the single life, Celeste suggests a status upgrade: birders with benefits, just until the contest is done. But as the bird count goes up and their time together ticks down, John and Celeste will have to decide if their benefits can last a lifetime, or if this love affair is for the birds.

Misha knows that chasing success in Hollywood can be hell.

But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, "for the algorithm," in the upcoming season finale.

Misha refuses, but he soon realizes that he’s just put a target on his back. And what’s worse, monsters from his horror movie days are stalking him and his friends through the hills above Los Angeles.

Haunted by his past, Misha must risk his entire future—before the horrors from the silver screen find a way to bury him for good.
 

“Were we gangsters? No. But did we know how to start a fire?”

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.

But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.

Long Island Compromise spans the entirety of one family’s history, winding through decades and generations, all the way to the outrageous present, and confronting the mainstays of American Jewish life: tradition, the pursuit of success, the terror of history, fear of the future, old wives’ tales, evil eyes, ambition, achievement, boredom, dybbuks, inheritance, pyramid schemes, right-wing capitalists, beta-blockers, psychics, and the mostly unspoken love and shared experience that unite a family forever.

Named a Most Anticipated Book by Time, Bloomberg, and Electric Literature. RuPaul and Eric Cervini's Allstora Book Club Pick for June.
 

A young gay man upends the lives of a powerful art-world couple in this steamy novel of self-discovery.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

A lush, heart-quickening novel about family and art, sex and class, and the terror of self-discovery, Thomas Grattan’s In Tongues chronicles Gordon’s perilous pursuit of belonging from the Midwest to New York and, later, to Europe and Mexico City. As he floats further into Phillip and Nicola’s exclusive universe, and as lines blur between employee, muse, lover, and mentor, Gordon’s charm, manipulation, and growing ambition begin to escape his own control, in turn threatening to unravel the lives, and lies, of those around him.

Anchored by winsome lyricism, glinting intellect, and a main character whose yearnings and mistakes come to feel like our own, In Tongues crackles with fierce longing and pointed emotion, further confirming Grattan as a rare chronicler of young adulthood’s joys and devastations.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

In her breathtaking debut--part space odyssey, part sapphic rom-com--Emily Hamilton weaves a suspenseful, charming, and irresistibly joyous tale of fierce friendship, improbable love, and wonder as vast as the universe itself.

So, here's the thing: Cleo and her friends really, truly didn't mean to steal this spaceship.

They just wanted to know why, twenty years ago, the entire Providence crew vanished without a trace. But then the stupid dark matter engine started all on its own, and now these four twenty-somethings are en route to Proxima Centauri, unable to turn around, and being harangued by a snarky hologram that has the face and attitude of the ship's missing captain, Billie.

Cleo has dreamt of being an astronaut all her life, and Earth is kind of a lost cause at this point, so this should be one of those blessings in disguise that people talk about. But as the ship gets deeper into space, the laws of physics start twisting, old mysteries come crawling back to life, and Cleo's initially combative relationship with Billie turns into something deeper and more desperate than either woman was prepared for.

Lying somewhere in the subspace between science fantasy and sapphic rom-com, The Stars Too Fondly is a soaring near-future adventure about dark matter and alternate dimensions, leaving home and finding family, and the galaxy-saving power of letting yourself love and be loved.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation.

Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.”

But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls’ high school in Iran, Ellie’s memories of Homa begin to fade. Years later, however, her sudden reappearance in Ellie’s privileged world alters the course of both of their lives.

Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences.

Written with Marjan Kamali’s signature “evocative, devastating, and hauntingly beautiful” (Whitney Scharer, author of The Age of Light) prose, The Lion Women of Tehran is a sweeping exploration of how profoundly we are shaped by those we meet when we are young, and the way love and courage transforms our lives.

In 2020, Tracy O'Neill began to rethink her ideas of comfort and safety. Just out of a ten-year relationship and thirtysomething, she was driven by an acute awareness that the mysterious mother she'd never met might be dying somewhere in South Korea.

After contacting a grizzled private investigator, O'Neill took his suggested homework to heart when he disappeared before the job was done, picking up the trail of clues and becoming her own hell-bent detective. Despite COVID-19, the promise of what she might discover--the possibility that her biological mother was her kind of outlaw, whose life could inspire her own--was too tempting.

Written like a mystery novel, Woman of Interest is a tale of self-discovery and fugitivity from convention that features a femme fatale of unique proportions, a former CIA operative with a criminal record, and a dogged investigator of radical connections outside the nuclear family. O'Neill gorgeously bends the detective genre to her own will as a writer, stepping out of the shadows of her own self-conception to illuminate the hopes of the woman of interest she is both chasing and becoming.

Nothing ever happens in sleepy little Fairhill, Vermont. But this morning that will change. And one innocent question could be deadly. What have you done?

The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked.

But Diana Brewer isn’t lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer.

How quickly a girl becomes a ghost. How quickly a town of friendly, familiar faces becomes a town of suspects, a place of fear and paranoia.

Someone in Fairhill did this. Everyone wants answers.

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It's June 2019, and everyone has converged on the city's parks, beer gardens, and street corners to revel in the collective joys of being alive.

Everyone but Maggie. She's 30, pregnant, and broke. Faced with moving back to the town she fought to escape, she's wondering if having a baby with boyfriend Ed will be the last spontaneous act of her life. Ed, meanwhile, is trying to run from his past with Maggie's best friend Phil and harboring secret dreams of his own.

Phil hates his office job and is living for the weekend, while falling for his housemate, Keith. But there's a problem: Keith has a boyfriend and there might not be room for three people in the relationship. Then there's Rosaleen, Phil's mother, who's tired of feeling like a side character in her own life. She's just been diagnosed with cancer and is travelling to London to tell Phil, if she can ever get hold of him.

As Saturday night approaches, all their lives are set to change forever. Temperatures are soaring and the weekend is about to begin...

Strikingly heartfelt, sexually charged, and disarmingly comic, Oisín McKenna's debut is a mesmerizing dive into the soul of a city and a searing look at what it takes to build a life there.

Who invented reality television, the world’s most dangerous pop-culture genre? And why can’t we look away? In this revelatory, deeply reported account of the rise of “dirty documentary”—from its contentious roots in radio to the ascent of Donald Trump—Emily Nussbaum unearths the origin story of the genre that ate the world, as told through the lively voices of the people who built it. At once gimlet-eyed and empathetic, Cue the Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake.

In sharp, absorbing prose, Nussbaum traces the jagged fuses of experimentation that exploded with Survivor at the turn of the millennium. She introduces the genre’s trickster pioneers, from the icy Allen Funt to the shambolic Chuck Barris; Cops auteur John Langley; cynical Bachelor ringmaster Mike Fleiss; and Jon Murray and Mary-Ellis Bunim, the visionaries behind The Real World—along with dozens of stars from An American Family, The Real World, Big Brother, Survivor, and The Bachelor. We learn about the tools of the trade—like the Frankenbite, a deceptive editor’s best friend—and ugly tales of exploitation. But Cue the Sun! also celebrates reality’s peculiar power: a jolt of emotion that could never have come from a script.

What happened to the first reality stars, the Louds—and why won’t they speak to the couple who filmed them? Which serial killer won on The Dating Game? Nussbaum explores reality TV as a strike-breaker, the queer roots of Bravo, the dark truth behind The Apprentice, and more. A shrewd observer who adores television, Nussbaum is the ideal voice for the first substantive history of the genre that, for better or worse, made America what it is today.

What happens when what was once considered dystopia is now reality?

This darkly brilliant debut novel explores how women shape themselves beneath the gaze of love, friendship, and the algorithm—by a thrilling feminist voice for the age of AI.

Mitty can’t quite make out the expression on Lena’s face, but she doesn’t look distressed. She looks like nothing at all. She looks like the beginning, before thoughts, a white hallway with no doors, a room so long your voice disappears before it can echo.

On the Santa Cruz, California, waterfront, every house is a flawless glass monolith. Except for one. In a dilapidated bungalow, Mitty and her elderly roommate, Bethel, are the oddball pair who represent the last vestiges of a free-spirited town taken over by the tech elite. But their lives are about to be forever changed when a new couple, Sebastian and Lena, move in next door. 
 
Sebastian is a renowned tech founder and Lena is his spellbindingly perfect girlfriend. But Lena has secrets; she feels uneasy about her oddly spotty memory and is growing increasingly wary of the way Sebastian controls their relationship. Mitty is also hiding something, and the way Lena appears to float through her luxurious life draws Mitty inexorably into her orbit. As the two women begin to form a close friendship, they are finally forced to face their pasts—and the urgent truths that could change everything. 

The White Lotus meets Knives Out meets Crazy Rich Asians in this devilishly entertaining debut novel: both a sophisticated locked-room mystery in the tradition of Agatha Christie, and a provocative literary whodunit for the twenty-first century.

Ro Krishna is the American son of Indian parents, educated at the finest institutions, equally at home in London's poshest clubs and on the squash court, but unmoored after he is dramatically forced to leave a high-profile job under mysterious circumstances. He decides it's time to check in for some much-needed R&R at Samsara, a world-class spa for the global cosmopolitan elite nestled in the foothills of the Indian Himalayas. A person could be spiritually reborn in a place like this. Even a very rich person.

But a person--or several--could also die there. Samsara is the Sanskrit word for the karmic cycle of death and rebirth, after all. And as it turns out, the colorful cast of characters Ro meets--including a misanthropic politician; an American movie star preparing for his Bollywood crossover debut; a beautiful heiress to a family jewel fortune that barely survived Partition; and a bumbling white yogi inexplicably there to teach meditation--harbors a murderer among them. Maybe more than one.

As the death toll rises, Ro, a lawyer by training and a sleuth by circumstance, becomes embroiled in a vicious world under a gilded surface, where nothing is quite what it seems . . . including Ro himself. Death in the Air is a brilliant, teasing mystery from a remarkable new talent.

The first images of the vision are grainy—like something seen through wet glass. But slowly it clears, and there appears the figure of a man.

Set in Nigeria in the late 1960s, The Road to the Country is the epic story of a shy, bookish student haunted by long-held guilt who must go to war to free himself. When his younger brother disappears as the country explodes in civil war, Kunle must set out on an impossible rescue mission. Kunle’s search for his brother becomes a journey of atonement that will see him conscripted into the breakaway Biafran army and forced to fight a war he hardly understands, all while navigating the prophecies of a local Seer, he who marks Kunle as an abami eda—one who will die and return to life.

The story of a young man seeking redemption in a country on fire, Chigozie Obioma’s novel is an odyssey of brotherhood, love, and unimaginable courage set during one of the most devastating conflicts in the history of Africa. Intertwining myth and realism into a thrilling, inspired, and emotionally powerful novel, The Road to the Country is the masterpiece of Chigozie Obioma, a writer Salman Rushdie calls “a major voice” in literature.

A Parade and Christian Science Monitor Best Book of June

From the bestselling historical novelist, a rich, transporting story that follows a family of glassmakers from the height of Renaissance-era Italy to the present day.

It is 1486 and Venice is a wealthy, opulent center for trade. Orsola Rosso is the eldest daughter in a family of glassblowers on Murano, the island revered for the craft. As a woman, she is not meant to work with glass—but she has the hands for it, the heart, and a vision. When her father dies, she teaches herself to make glass beads in secret, and her work supports the Rosso family fortunes.

Skipping like a stone through the centuries, in a Venice where time moves as slowly as molten glass, we follow Orsola and her family as they live through creative triumph and heartbreaking loss, from a plague devastating Venice to Continental soldiers stripping its palazzos bare, from the domination of Murano and its maestros to the transformation of the city of trade into a city of tourists. In every era, the Rosso women ensure that their work, and their bonds, endure.